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Stage Money The Business of the Profession
Hoofdkenmerken
Titel: Stage Money The Business of the Profession
Uitgever: University of South Carolina
ISBN: 9781570039072
ISBN boekversie: 9781611172232
Land van oorsprong: United States
Prijs: € 31,83
Verschijningsdatum: 15-06-2010
Bericht: Langere levertijd (2-3 weken)
Inhoudelijke kenmerken
Leesniveau: Postgraduate, Research & Scholarly
Categorie: Sport & leisure industries
Geillustreerd: 25 illustrations
Technische kenmerken
Verschijningsvorm: Paperback / softback
Paginas: 256
Gewicht gr.: 302
 

Inhoud:

A guide to understand professional theater finances through the use of the tools and metaphors of the business world. It covers topics such as the risks and returns on Broadway in the early 21st century, the financial organization of theater performances, and comparisons between the business models of commercial theater and not-for-profit theater.
 

Inhoudsopgave:

Stage Money is a groundbreaking guide to understanding professional theater finances today through the use of the tools and metaphors of the business world at large. This approach results in a comprehensive picture of the economic realities of theater production that is radically different from the assessments typically espoused elsewhere. Tim Donahue and Jim Patterson combine their experiences in the financial and creative aspects of theater production to present in straightforward prose their keen insights into the micro- and macro-economic aspects of the commercial stage. Tangible data, charts, and graphs are counterbalanced with illuminating \"intermissions\" between chapters and interspersed sidebars throughout to provide specific examples of key concepts, collectively presenting an expansive overview of the contemporary theater business. Stage Money is an unparalleled tool for theater professionals and enthusiasts interested in garnering a better understanding of the business's inner workings at present and its challenges for the future.\n\n\nAmong the topics addressed in Stage Money are the risks and returns on Broadway in the early twenty-first century, the financial organization of theater performances today, and comparisons between the business models of commercial theater and not-for-profit theater. In concise language and clear examples, the authors explain where the money comes from and where it goes.
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