\u003cdiv\u003e\u003cp\u003eWinner of the Hayden Carruth Award \u003cI\u003eRadio Crackling, Radio Gone\u003c/I\u003e is a debut collection of poetry that explores multiple logics of perception, association, and interpretation. Navigating the edges where things begin to disappear, the poems inhabit border zones of transformation where memory slides into imagination, wakefulness meets sleep, and things possessed become lost.\u0026#160;\u003c/p\u003e\u003cp\u003e\u003cI\u003eWhat seemed a mystery was\u003c/I\u003e\u003cI\u003e\u003cBR\u003e\u003c/I\u003e\u003cI\u003ein fact a choice. Insert bird for sorrow.\u003c/I\u003e\u003cI\u003e\u003cBR\u003e\u003c/I\u003e\u003cI\u003eWhat seemed a memory was in fact\u003c/I\u003e\u003cI\u003e\u003cBR\u003e\u003c/I\u003e\u003cI\u003ea dividing line. Insert bird for wind.\u003c/I\u003e\u003cI\u003e\u003cBR\u003e\u003c/I\u003e\u003cI\u003eInsert wind for departure when\u003c/I\u003e\u003cI\u003e \u003c/I\u003e\u003cI\u003eeveryone\u003cbr\u003eis standing still. . .\u003c/I\u003e\u003c/p\u003e\u003cp\u003e\u003cI\u003eRadio Crackling, Radio Gone\u003c/I\u003e was selected from the 1,200 submissions to the Hayden Carruth Award. By the time the anonymous manuscript was chosen as winner, the cover sheet was filled with readers\u0026#39; commentary: \u0026quot;stunning\u0026quot; and \u0026quot;lovely\u0026quot; and a bold \u0026quot;YES!\u0026quot;\u003c/p\u003e\u003c/div\u003e
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