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Unvarnishing Reality Subversive Russian and American Cold War Satire
Hoofdkenmerken
Auteur: Maus, Derek
Titel: Unvarnishing Reality Subversive Russian and American Cold War Satire
Uitgever: University of South Carolina
ISBN: 9781570039850
ISBN boekversie: 9781611172263
Land van oorsprong: United States
Prijs: € 66,63
Verschijningsdatum: 30-05-2011
Bericht: Langere levertijd (2-3 weken)
Inhoudelijke kenmerken
Categorie: Literary studies: from c 1900 -
Geogr.gebied: USA
Taalgebied: English
Dewey code: 817.5409358282
Technische kenmerken
Verschijningsvorm: Hardback
Paginas: 264
 

Inhoudsopgave:

\u003cP\u003e\u003cI\u003eUnvarnishing Reality\u003c/I\u003e draws original insight to the literature, politics, history, and culture of the cold war by closely examining the themes and goals of American and Russian satirical fiction. As Derek C. Maus illustrates, the paranoia of nuclear standoff provided a subversive storytelling mode for authors from both nations?including Thomas Pynchon, Robert Coover, John Barth, Walker Percy, Don DeLillo, Kurt Vonnegut Jr., Vasily Aksyonov, Yuz Aleshkovsky, Alexander Zinoviev, Vladimir Voinovich, Fazil Iskander, and Sasha Sokolov.\u003c/P\u003e\u003cP\u003eMaus surveys the background of each nation's culture, language, sociology, politics, and philosophy to map the foundation on which cold war satire was built. By highlighting common themes of utopianism, technology, and propaganda, Maus effectively shows the ultimate motive of satirists on both sides was to question the various forces contributing to the cold war and to expose the absurdity of the continuous tension that pulsed between the United States and the Soviet Union for nearly half a century. Although cold war literature has been studied extensively, few critics have focused so keenly on comparisons of satirical fictions by Russian and American writers that condemn and subvert the polarizing ideologies inherent in superpower rivalry. Such a comparison reveals thematic and structural similarities that transcend specific national and cultural origins. In considering these works together, Maus locates a thoroughgoing humanistic refutation of the cold war and its operative doctrines as well as a range of proposed alternatives. Just as the cold war combatants ultimately reconciled in 1991 with the fall of the Soviet Union, Maus seeks to bring these two literary canons together now. Their thematic scope transcends cultural differences, and, as Maus demonstrates, these writers saw that there was not only the atomic bomb to fear, but also the dangers of complete national militarization and the constant polarizing threat of emergency. Thus their cold war critiques still resonate today and invite further comparative studies such as this one.\u003c/P\u003e
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